Due to the technological level of that time, porcelain wares produced then had changeful colors in the glaze, such as greenish blue, yellowish blue or grayish blue, and this was related to the glaze ingredients and firing environment.
由于当时的工艺水平，所生产出的陶瓷在釉色上发生很丰富的变化，青色中有偏绿的、偏黄或偏灰的，与釉料成份、烧成火焰都有很大关系。
And the combination of modern technology the middle glaze firing, so that practical utensils unleaded non-toxic, use of green porcelain, practical and has a high collection value.
以及结合现代科技------釉中烧制工艺，使实用餐具无铅无毒，系绿色环保用瓷，具有较高的实用和收藏价值。
The liquating of crystal is useful to its shape and size and a thin layer of glass will bring about which is helpful to glaze gloss. Through cross experiment design, the reasonable range of oil-drop glaze chemical composition is studied and the limitation that single special clay is added to glaze batch is broken. It is proved that using ordinary ceramic raw materials to produce oil-drop glaze is feasible if the chemical composition of glaze is reasonable and the technology control is suitable. In addition, through the experiment it is found out that proper firing rule is the critical factor that affects the oil-drop glaze decorating effect. At the same time, other technological factors, for example, the thickness of glaze layer, glazing method, the size of glaze particle, which can affect the quality of glaze surface, must be considered.
晶体的适当熔解促使油滴形状圆整、尺寸大小适中，并在晶体表面形成一层玻璃相，有利于釉面光泽度的提高；通过正交试验方法探讨了油滴釉合理的化学组成范围，并突破了传统油滴釉制品及目前大多数仿制品采用单一特定天然釉土配料的局限，试验证明，只要化学组成合理，工艺控制适当，使用普通制瓷原料生产油滴釉制品是完全可行的；此外，本研究还发现，合理的烧成工艺控制是影响油滴釉装饰效果的关键性因素，同时还应注意釉层厚度、施釉方法、釉料研磨细度等其他工艺条件对釉面质量的影响。
This paper provides discussion on the definition, mechanism, classification, preparation, firing of mat glaze as well as the batch relation among pigment, opacifying agent and basic glaze, including some individual comments on the judgement of the quality of mat glaze.
本文就陶瓷无光釉的定义、机理、分类、制备方法、烧成条件、色料、乳浊剂与基础釉的相互匹配等问题进行了讨论，并就无光釉无光程度的评定等问题阐述了一些个人观点。
Underglaze color ceramics is a traditional Chinese decorative methods, products, all the color ornaments in porcelain bodies were carried out on a high temperature after firing through the glazing, such products and glazed, like flower glaze layer surface was covered with bright surface, formation, and basic non-rugged feel.
釉下彩陶瓷是我国一种传统的装饰方法，制品的全部彩饰都在瓷坯上进行，经施釉后高温一次烧成，这种制品和釉中彩一样，花面被釉层覆盖，表面光亮、平整，基本无高低不平的感觉。
With years of sustained effort, we have developed 300mm×450mm, 300mm×300mm, sized glazed interior-wall tiles. Our products have fine texture like naturalstone, bright and smooth glazed surface like jade, and elegant and fresh patterns like natural iandscapes thanks to the advanced roller printing technology. Exquisite edging technique offers products uniform edges and angles, ensuring product application without construction joints. Advanced imported glaze and up-to-date firing endows the products with features of no chapping, radiation resistant and environmental friendly. They are also in the leading position in strength, anti-freezing capacity, water penetration resistance and flatness.
历经多年精心研制，以生产300mm×450mm、300mm×300mm等规格为主的釉面内墙砖，彩先进的滚筒印花技术，使产品纹理如石材般天然细腻；釉面如翡玉般明亮平整，光泽圆润；图案如自然风光般清新雅致，浑然天成；精细的磨边工艺，使产品具有边角规整，尺寸均匀，无缝铺贴的效果，高级的进口釉料及先进的烧成技术，使产品具有不龟裂、无辐射、绿色环保等特点，在强度、抗冻、防透水性和平整度等方面性能上，均达到一个新的高度。
Color vitreous enamel is added to a high temperature ceramic glaze color agent, so that after firing glazed products showing a particular color, such as yellow, blue, green beans and so on.
色釉瓷是在陶瓷釉料中加入一种高温色剂，使烧成后的制品釉面呈现出某种特定的颜色，如黄色、兰色、豆青色等。
Note: glaze coloring, one finds a screen technology for decorating dry — firing blanks or with white porcelain, and portrayed a helping students glaze, or Teletext business card printing and membership card making open burning of the production process.
夺目：釉下着色一网版工艺众数用于点缀潮坯—烧坯或烧不败的白瓷，而斥施以生釉，或图文制卡和会员卡制息开烧的不入产工艺。
The results obtained further supplement and provethe previous summaries of three major points concerning the development of pottery andporcelain technology——selection and refining of raw materials, improvement of kiln andraising of firing temperature; discovery and application of glaze——and of three stagesof the evolution of porcelain from pottery —— pottery, proto-por...
所得结果又一次充实和论证了作者所总结的陶瓷工艺发展中的三个重大突破——原料的选择和精制，炉窑的改进和烧成温度的提高，釉的发现和使用——以及从陶到瓷的三个阶段——陶器，原始瓷器，瓷器。结合浙江上虞地区最近发掘所得东汉及西晋几个瓷器标本的研究，指出这些瓷片已达到近代瓷器的标准，因而我国在公元一到二世纪即已出现瓷器，最先烧造瓷器是在浙江地区。
Paint ornamentation on roughcast of porcelain, coat a layer of transparent glaze, and then use high temperature reducing flame for single firing.
青花：青花又称白地青花和豆青青花瓷器，它是用含氧化钴的钴矿为原料，在瓷器胎体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。
In addition to 3 programs for bisque and glaze firing, a defined cooling ramp can also be set on this easy-to-operate controller.
除了用於素瓷和瓷釉焙烧的3个程式，该控制器还可设定一条冷却曲线。
Shown here in china red porcelain, after su-burning, burning glaze, braised, burning, such as payment processing complex multi-channel, combined with gross liling porcelain, underglazed colorful, pastels, embossed, gold, outline in gold process, by about 1400 ℃ high-temperature firing, red glaze, chun-hou fuller without yan-mei, elegant atmosphere, is art appreciation, knew of as magnificent, beautiful jiapin, can be the best red porcelain, works of art treasures.
这里所展示的中国红瓷，经过素烧，釉烧，红烧，金烧等多道复杂加工工艺，结合醴陵毛瓷、釉下五彩，粉彩，浮雕、镶金，描金工艺，经1400℃左右高温烧成，釉色鲜红、淳厚饱满、艳而不媚、典雅大气、雍容华贵，是艺术欣赏、美轮美奂的旷世之作、绝美佳品，堪称红瓷极品，国宝级艺术品。
The so-called pottery and porcelain refers to the use of plastic ware and porcelain clay quarry to do matrix, quartz and feldspar, and other raw materials-glaze, and through the forming, drying, firing from the products, mainly for daily use, art, and architecture Three pottery.
所谓陶器和瓷器是指用可塑性制瓷粘土和瓷石矿做胎体，用长石和石英等原料制釉，并且通过成型、干燥、烧制而成的制品，主要有日用、艺术、和建筑陶器等三种。
The blue colour of the glaze is an optical illusion, resulting from a chemical reaction that occurs during the firing and cooling process.
蓝色的釉面是一种窑变，在加热与冷却的过程中发生的化学反应。
The chemicals in the glaze changed gradually in the firing process, creating a variegated effect which has a majestic and elegant artistic attraction.
唐三彩的色釉有浓淡变，在色彩的相互辉映中，显出堂皇富丽的艺术魅力。
As using three kinds of white glaze color red and green at the same time on a piece of implements, this was originally just initiated in the Tang Dynasty, but the craftsman people use the method to construct glaze, red, green, white three colors ingeniously, it let it not interlocked, among use fault, then at high temperature after firing at high temperature, glaze color water, melt, flow, slip away, form unique craft of fleeing hither and thither again, produce after the kiln, the three-colour glazed pottery has been turned into much color, it has primary colors, replies the color, having and concurrently color, what people can see is that mottled and dripping wet a lot of kind is colored, this is a characteristic of glaze color of tri-coloured glazed pottery.
作为一件器物上同时使用红绿白三种釉色，这在唐代本来就是首创，但是匠人们又巧妙地运用施釉的方法，红、绿、白三色，让它交错、间错地使用，然后在高温下经过高温烧制以后，釉色又浇融流溜形成独特的流窜工艺，出窑以后，三彩就变成了很多的色彩，它有原色、有复色、有兼色，人们能够看到的就是斑驳淋漓的多种彩色，这是唐三彩釉色的特点。
Also showed that the viscosity of agate strong, so that glaze in the air within the carcass, in the firing process can not normally overflow, more closed in the glaze of the lower deck;
同时表明，玛瑙的粘度很强，以致釉内与胎体中的空气，在烧制过程中无法正常溢出，较多的被封闭在釉的下层；
This paper introduced substitutes for lead, leadless frits and leadless glaze formulation design and making techniques, and then expatiated on firing of leadless glazes, plumbeous recontamination, etc.
介绍了铅的替代物、无铅熔块及釉料的配方设计和加工制造工艺，对无铅熔块釉的釉烧、铅的再污染等问题进行了阐述。
Development of lead-free fine pottery glaze for fast firing at low temperature
低温快烧无铅精陶釉的研制
Election mud with glaze, forming, firing and each process has a higher demand, so these will need to experiment and explore in long-term creative in order to have some perception.
从选泥、配釉、成型、烧制等各个工艺流程都有较高的要求，所以这些都需要在长期的创作实验和摸索中才能有所感悟。