Among the most well known of his plays are Tamburlaine, The Jew of Malta, and Doctor Faustus.
其中最有名的是他的发挥 Tamburlaine ，马耳他的犹太人，并浮士德博士。
Both Tamburlaine and Faustus are typical in possessing such a spirit.
无论是典型的浮士德与tamburlaine有这样的精神。
In 2005, the Barbican in London was accused of excising sections of its production of Tamburlaine to remove scenes attacking Muhammad.
在2005年，伦敦的芭比肯中心被控告将泰姆伯莱尼作品的一部分删减，攻击了穆汉穆德。
By flouting the given order and trampling on despairing princes, Tamburlaine displayed a high-aspiring mind that was self-created and carried by love and dreams beyond the limits of moral existence.
通过蔑视上方的命令并粗暴对待那些陷入绝境的王公们，帖木儿展示了一颗报负不凡的野心，这可自我培养的野心还充满了不受道德约束的情欲。
Tamburlaine is a play about an ambitious and pitiless Tartar conqueror in the fourteeth century who rose from a shepherd to an overpowering king.
帖木儿》讲述了14世纪一个普通牧民帖木儿，如何登上国王宝座，成为一个野心勃勃，残暴无情的鞑靼统治者的故事。
The central figure, Edward Ii himself, instead of being aggressive and overpowering, as are Tamburlaine and Faustus, is sentimental and weak.
中心人物爱德华二世本身不是像帖木耳和浮士德那样敢做敢当，压倒一切，而是禀性软弱，多愁善感。
Tamburlaine lives a military life, longing to have infinite power.
帖木儿戎马一生，对权力怀有无限渴望。
This study concentrates on the plot, character, and image in these plays and it explores the life and temperament of the three protagonists Tamburlaine, Barabas, and Faustus in the light of Greek mythological figures Phaethon, Midas, and Icarus.
论文从情节、人物及意象三个方面展开，将主人公帖木儿、巴拉巴斯、浮士德的经历和性格与法厄同、弥达斯、伊卡洛斯这三个希腊神话人物进行比较分析。