Gustave Flaubert(1821-1880)is considered to be a famous writer in the 19 century in france. The works of Flaubert concluede Madame Bovery, Sentimental Education, Salammbo, The temptation of saint Anthony, Three Story, Letters, Bouvard and Pécuchet, and so on.
居斯塔夫·福楼拜(Gustave Flaubert，1821-1880)是19世纪法国著名小说家家，作品主要有长篇小说《包法利夫人》、《萨朗波》、《情感教育》、《圣安东尼的诱惑》、《布瓦尔与佩库歇》；短篇小说集《三故事》；书信集等。
Every time I look at it I think of Balzac's misers and Zola's thieves and Colette's hardworking artistes and Flaubert's Francsic, risking everything on one throw of the dice.
每当我看到它，就会想到巴尔扎克笔下的吝啬鬼，左拉笔下的小偷，科莱特笔下兢兢业业的艺人和福楼拜笔下的弗雷德里克，他们倾其所有，孤注一掷。
Every time I look at it I think of Balzac's miser s and Zola's thieves and Colette's hardworking artistes and Flaubert's Francsic, risking everything on one throw of the dice
每当我看到它，就会想到巴尔扎克笔下的吝啬鬼，左拉笔下的小偷，科莱特笔下兢兢业业的艺人和福楼拜笔下的弗雷德里克，他们倾其所有，孤注一掷。
The French are generally more creative in their terms of abuse and they like to create the kind of powerful imagery that would not be out of place on the pages of a Flaubert novel, like, vous etes une pomme de terre avec le visage d`un cochon d`inde (you are a potato with the face of a guinea pig).
一般来说，法国人对损人的词汇更富有创造性，他们喜欢自己所创造的强有力的比喻就像福楼拜的小说一样不会过时，比如：vous etes une pomme de terre avec le visage d`un cochon d`inde 你是一个长着豚鼠脸的土豆。（你狗屁不是/一钱不值。
And while we `re on the subject, I should say that the notion of Flaubert killing himself is pure crankery as well.
我得说福楼拜那个想要自杀的念头，也纯粹是疯狂念头。那么这里的错就可以理解了。
The notion of Flaubert killing himself is pure crankery as well.
应该是认为福楼拜是自杀身亡的这样一种观点，也纯粹是荒唐的。
They moved past the house where Gustave Flaubert, author of Madame Bovary, lived in the 19th century
他们经过Gustave·福楼拜的房子，《包法利夫人》的作者，生活在19世纪
Gustave Flaubert (December 12, 1821 – May 8, 1880) was a French writer who is counted among the greatest Western novelists.
每次为了应付文学史考试，都会把那些东西捣腾一遍，但扪心自问，自己真是很孤陋，屈指可数的认真读过几本，恰巧就爱上了福楼拜。
Furthermore, this narrative strategy also uncovers Flaubert's playful attitude towards the existential nihil, and thus helps the writer transcend and poeticize reality.
本文认为，这样的叙述策略表现了福楼拜面对生存虚无的一种选择：游戏。这是作家超越现实、诗化现实的方式。
Though it was his first novel, Madame Bovary is Flaubert's most accomplished and admired work.
虽然这是他第一部小说，是福楼拜包法利夫人最有成就和钦佩的工作。
This paper attempts to explore Flaubert's narrative strategy in his Madame Bovaryand its implications.
内容提要：本文讨论了《包法利夫人》的叙事策略及其隐含的意义。
The criticism on French writer Flaubert in the 20th century can be classified into two categories: one is ideology criticism presented by Geneva School; the other is formalism-oriented criticism containing New Criticism, Structuralism and Deconstructionism and the related criticisms influenced by it.
二十世纪围绕法国作家福楼拜所展开的内部批评主要可分为两大类：一类是以日内瓦学派为代表的意识批评；另一类是以形式主义为基本导向的，涵盖新批评、结构主义、解构主义等在内的批评，以及在其影响下发生的批评。
Emma Bovary's father is an uneducated farmer, whereas Flaubert's father was a respected and wealthy doctor.
爱玛包法利的父亲是一个受过教育的农民，而福楼拜的父亲是一位受人尊敬的和富有的医生。
Flaubert had strong positive attitude towards Emma's bravery of pursuing true perfect and beautiful love, otherwise he wouldn't describe her so charming and tempting, nor wouldn't betroth her a righthearted husband who loved her forever.
福楼拜对艾玛勇敢追求爱情的真、善、美是持肯定态度的，否则也不会把她描绘得如此美丽动人，也不会把她许配给一个善良正直，深爱她到死的丈夫。
Flaubert thinks that the nature of life is the pot of soup which is floating a number of hairs, but you have to drink it.
福楼拜认为生活的本质就是一盆浮着许多毛发的汤，可是你还得把它喝下去。
In parks, and on the stretches of grass beside the Seine, I read Balzac and Zola and Colette and Flaubert: 2 novels about society and the human heart.
在公园里，在塞纳河边的草地上，我读着巴尔扎克、左拉、科莱特和福楼拜：他们那些描写社会和人性的小说。
I can remember reading Flaubert for the first time, and being struck by a thunderbolt: oh brave new world that has such writers in it!
我依旧记得初读福楼拜的时候，感觉就像被惊天霹雳所击中，因为我从其的作品中看到了一个勇敢的新世界。
This article discusses French famous writer, flaubert's powerful political motivation reflected by his uncharitable attacking ugly social realities of French when creating the novel Madame bovary.
摘要本文讨论的是法国著名作家福楼拜在创作长篇小说《包法利夫人》时，对法国丑恶的社会现实进行了无情的抨击，从而折射出作者强烈的政治动机。
Gustave Flaubert is an important novelist in the later 19th century.
福楼拜是十九世纪中后期法国一个重要的现实主义小说家。
Poetry is as exact a science as geometry. & Gustave Flaubert
诗是一门和几何学一样精确的科学。&福楼拜