Take the TOEFL Tuotuo Bo Alto De Tuodi nursery Tolstoy managed trustees Tokayev Tocqueville Tuola Tuo Lasto...
走托托波尔托德托蒂托儿所托尔斯泰托福托管托管人托卡耶夫托克维尔托拉托拉斯托。。。
Volume Rank voluminous Tolstoy novel.
托尔斯泰卷秩浩繁的长篇小说。
Tolstoy one and a half, nine years old mother tear. The guardian 1841 his aunt, o, Oswald established by SaKen --, after the death of her aunt distance. the live in, and YouShenKe, Eva monitoring.
托尔斯泰一岁半丧母，九岁丧父。1841年他的监护人姑母阿·伊·奥斯坚—萨肯去世后，改由住在喀山的姑母彼·伊·尤什科娃监护。
It's a Tolstoy-esque War and Peace of a game.
它是一个托尔斯泰战争与和平的游戏。
He wanted his paintings to have all the intellectual complexity and modern angst of Ezra Pound or W. H. Auden, and he longed to create in art a figure as memorable as the characters in Dickens or in Tolstoy.
他希望他的画作像艾兹拉·庞德和奥登的作品那样包含一种深沉的智慧和现代的焦虑，也渴望艺术注入一种像狄更斯和托尔斯泰的文字那样永垂不朽的元素。
From the time of his conversion to his death, Tolstoy remained actively engaged in publicizing his religious beliefs.
从他的转换，以他的死，托尔斯泰仍积极从事宣传他的宗教信仰。
Leo Tolstoy:All happy families are like one another; wach unhappy family is unhappy in its own way.
托尔斯泰：所有幸福的家庭都十分相似，而每个不幸的家庭各有各的不幸。
In Tolstoy's novels, we do not see Cao's leisure, his concise structure and plot development, his musical and artistic approaches, his knowledge in astronomy, geography and medicine, his interests in cooking, riddles, astrology and other oriental intellectualism. In fact Tolstoy's writing style is by no means graceful. Sometimes it is even a bit dull. But the entire world acknowledges him as one of the greatest writers ever.
在托尔斯泰的小说里，我们找不到曹雪芹那样汪洋自恣的才情，那种精妙的结构布局、情节铺设，那种琴棋书画天文地理医药烹饪猜迷占卜无所不包的东方式博学，其文字也谈不上怎麼优美，甚至还有枯燥乾涩之嫌，但全世界都不能否认他的巨匠之笔。
This is the creation of Tolstoy's first volume rank voluminous novel.
这是托尔斯泰创作的第一部卷秩浩繁的长篇小说。
The Battle of Borodino found its most memorable permanence in Tolstoy`s imagining of it in War and Peace.
故天将降大任于斯人也，必先苦其心智，劳其筋骨，饿其体肤，空乏其身，行弗乱其所为，所以动心忍性，增益其所不能。
In Tolstoy's dubious theory of war, Napoleon was a mere monky riding an elephant.
根据托尔斯泰那个靠不住的战争理论，拿破仑不过是骑在大象身上的一只猢狲。
Good writers are not only the privileged few who read nothing but Tolstoy and sit on specially designed chairs in front of rolltop desks with pigeon holes and inkwell s.
优秀的作家并不仅仅只是那些坐在拥有羽毛笔孔以及墨水池的拉盖书桌前的特制椅子上，除了阅读托尔斯泰的作品以外对任何事情都不感兴趣的那些享有特权的少数人。
Meanwhile, it also contains rich realist content, and deep reflection on the moral situation of human being. Tolstoy always identified his act with his words through practice, and attempted to fulfill his humanist principles. In this sense, he is a great humanist.
例如，由曹靖华先生主编的《苏俄文学史》中，当谈到《复活》时有这样一段话：聂赫留朵夫的完全`复活`，从作者的主观上来说，是以主人公手捧福音书，深深领略了福音书的教义而完成的。
In 1851, Tolstoy visited his brother in the Russian army and then decided to enlist himself shortly afterward.
于1851年，托尔斯泰访问他的兄弟在俄罗斯军队，然后决定争取自己的命运。
Tolstoy spirit of repentance and humanitarian thinking of the ring for Lu Xun's important to Lu Xun's remorse unlike Christians face pastor speak their sin, is to seek spiritual solace and tranquility of conscience, and also different from Goethe Works The Sorrows of Young Werther, since Rousseau's post-mortem, in the secular penitence contains beyond the personal heroism of pride.
托尔斯泰的忏悔精神和人道主义思想对鲁迅有重要的响，使鲁迅的忏悔不像基督徒面对牧师说出自己的罪过一样，是为了寻求心灵的慰藉和良心的安宁，也不同于歌德笔下少年维特的烦恼，卢梭的自剖，在忏悔中包含超越世俗的个人英雄主义的骄傲。
This thesis intends to face to the topic Leo Tolstoyl's psychological description to be disided into two volumes only to inspect something new and valueable on psychological description that Tolstoy had contributed to the novel art of his times.
在以往的托尔斯泰研究中，关注较多的往往是托尔斯泰小说中广阔深邃的思想和社会意义，以及那荡气回肠的探索精神和发聋振聩的批判力量，相对地便减弱了对其精湛的艺术形式的探究。
Yes, Count Feodor Petrovich Tolstoy was one of the most fashionable Russian drawers and painters of the 1820s.
是的，费奥多尔·彼德罗维奇·托尔斯泰伯爵是19世纪20年代俄罗斯最受欢迎的制图员和画家之一。
And also, Count Feodor Ivanovich Tolstoy who was a notorious drunkard, gastronome, and duellist.
此外，费奥多尔·彼德罗维奇·托尔斯泰伯爵还是个声名狼藉的酒鬼、美食家和决斗专家。
My veneration for Count Tolstoy is profound, yet I mention him here to show the grave danger that lies in allowing any man, even one of the wisest of men, to dictate to us what is best.
我崇敬托尔斯泰伯爵是因为他的博学，然而，我在这里提及他是要说明：允许任何人哪怕是最聪明的人，仗势把所谓最好的东西强加给我们，也都隐含着严重的危险。
The latter is a classical theory in the research on Tolstoy, but till now it is still explained differently.
后者是托尔斯泰研究中的经典之论，但至今仍言人人殊，原因在于对车尔尼雪夫斯基原意理解上的差异，本文对这一概念的来龙去脉加以梳理，并提出自己的理解。