Fallois proposed that Proust had tried to begin a novel in 1908, abandoned it for what was to be
正是这些有意义的系的丰富性和复杂性，致使普斯特难於将它们错有致地安排好。
The very richness and complexity of the meaningful relationships th at kept presenting and rearranging themselves on all levels, from abst ract intelligence to profound dreamy feelings, made it difficult for Proust to set them out coherently.
各种有意义的联系在所有的层次上，自抽象的理性至深刻的梦幻般的情感，层出不穷并不断重新组合排列；正是这些有意义的联系的丰富性和复杂性，致使普鲁斯特难于将它们错落有致地安排好。
In the book every home cook has been waiting for, the revered Thomas Keller turns his imagination to the American comfort foods closest to his heart—flaky biscuits, chicken pot pies, New England clam bakes, and cherry pies so delicious and redolent of childhood that they give Proust's madeleines a run for their money.
在书中每个家庭厨师一直在等待，托马斯凯勒的崇敬他的想像变成对美国安慰食品最接近他的心，片状饼乾，鸡肉锅饼，烤蛤蜊新英格兰，和樱桃馅饼等美味和芳香的童年他们给普鲁斯特的马德莱娜运行他们的钱。
For Proust, to retrieve lost time means going beyond the time to find the true meaning of life and happiness.
对普鲁斯特来说，找回失去的时间，意味着超越了时间，找到了生命的真义与幸福。
Like Marcel Proust lost in memery of his childhood when savouring Madelaine, you can also find your own delicate happiness in quotidian life.
普鲁斯特在小玛德琳蛋糕中尝到青涩的童年，你亦可以由每天的生活里看见微小而确实的幸福。
What lit Sui's imagination was Proust and the Paris of the Gay Nineties.
点燃苏的想象力的，是普鲁斯特和九十年代巴黎的同性恋。
Therefore, to discuss the question of time in A la recherche du temps perdu is a very important path to closing to and understanding Proust`s arts and thoughts.
因此，对《追忆似水年华》中时间问题的探讨乃是接近和理解这位大师艺术和思想的一个重要路径。
Only after the invention of writing was it possible to write such a masterpiece of spontaneous memory as Proust`s A la Recherche du Temps Perdu.
只有在发明了书写之后，才有可能写出像普鲁斯特的《追忆似水年华》那样的出于自发记忆的杰作。
He was an artist, a delicate, attenuated figure who drew his inspiration from the pages of Marcel Proust, the paintings of Braque, Matisse, Picasso and van Gogh, and the counsels of his assistant, Loulou de la Falaise.
译者注：以上提到的这些人都是时尚界和娱乐界的名人）。他是一位艺术家，一位性格纤弱的人物，他从马塞尔·普鲁斯特的书页中，从布拉克，马蒂斯，毕加索以及梵高的绘画中吸取灵感。
My French friend sent me three thick books, A la recherche du temps perdu by Proust and A Thousand Plateaus and The Logic of Sense realized by Deleuze, when he learnt I want to make a work about memory. Memory must not be an easy thing.
我的法国好友知道我要做一个关於记忆的作品，马上送上普斯特〈Marcel Proust 1871-1922〉的「追寻往日时光」以及德勒兹〈Gilles Deleuze 1925-1995〉的「意义的逻辑」、「堆千台」三本厚厚的大书，想来关於记忆绝不件简单的事。
First of all, Proust is very sensitive.
普鲁斯特的时间观念的形成有如下几个方面的原因。
The second part of this thesis discussed Proust`s time conception.
第二部分讨论的是普鲁斯特的时间观念。
There are some reasons for the formation of Proust`s time conception.
普鲁斯特的时间观念的形成有如下几个方面的原因。
Did I mention that I am the preeminent Proust scholar in the U. S.?
我有没有说过，在美国我是一名卓越的研究普鲁斯特的学者？
The very richness and complexity of the meaningfulrelationships that kept presenting and rearranging themselves on alllevels, from abstract intelligence to profound dreamy feelings, made itdifficult for Proust to set them out coherently.
各种有意义的联系在所有的层次上，自抽象的理性至深刻的梦幻般的情感，层出不穷并不断重新组合排列；正是这些有意义的联系的丰富性和复杂性，致使普鲁斯特难于将它们错落有致地安排好。
A la recherche du temps perdu, which almost spans Proust`s whole writing career and spends all his energy.
追忆似水年华》是普鲁斯特倾其一生精力和心血而写就的一部作品。
By giving your people Proust, Kafka, Faulkner, Platonov, Camus, or Joyce, you may turn at least one nation in the heart of Europe into a civilized people.
通过向你的人民介绍普鲁斯特、卡夫卡、福克纳、普拉托诺夫、加缪或乔伊斯，也许你至少可以在欧洲的中心把一个国家变成一个有教养的民族。
But it ignores the other half of that truth, which is Proust's commitment to describing the sheer variousness of the world in a voice which is uniquely his own.
但它忽略了另外一半，那就是普鲁斯特热衷于用自己独有的一种表达方式去描述世界上纯粹的多样性。
Although Proust and Balzac are respectively masters of fiction of stream of consciousness and realism, there are obvious connections between them.
普鲁斯特和巴尔扎克是意识流与现实主义的两位大师，却存在明显的渊源关系。
Marcel Proust - In Search of Lost Time (A la recherche du temps perdu) (1913-1927)
马塞尔普鲁斯特&《追忆似水年华》（1913-1927）