Every image is a natural diptych – with no artifice or retouching – juxtaposing a calm, intimate, Apollonian foreground in which there is an isolated figure, as if having found itself at last, and a background featuring the teeming, Dionysian city, illuminated by ocelli of light scattered through the darkness.
每张作品都像是一幅浑若天成的连体画，前景与远景完美的融为一体，没有刻意的设计或雕琢，风格内敛又不失个性。一些孤独的身影呈现在维美的前景中，或许最终她会发现，原来她也只是这些远景的一部分。
And now let us imagine how the ecstatic sounds of the Dionysiac rites penetrated ever more enticingly into that artificially restrained and discrete world of illusion, how this clamor expressed the whole outrageous gamut of nature—delight, grief, knowledge—even to the most piercing cry; and then let us imagine how the Apollonian artist with his thin, monotonous harp music have sounded beside the demoniac chant of the multitude!
现在，试想这个以假象和适度为基础，以艺术为堤防的境界，酒神祭佳节的销魂荡魄的狂欢之声侵入这境界了，在这些歌声中，我们听到一切率性而行的大喜、大悲、大智、大慧、甚至镂心刻骨的呼啸；那么，让我们想象一下：同这着了魔似的民歌相比，拨响着幽灵似的竖琴、唱着赞美诗的日神艺术家能有什么意义！
By employing two key concepts as Apollonian spirit and Dionysian spirit of Nietzsche's theory on tragedy and absorbing Zhu Guangqian's further elucidation on them, this thesis aims at studying the dual personality of Dick who incessantly struggles between Apollonian spirit and Dionysian spirit, and also attempts to explore the hard and tragic journey that Dick has taken in his lifetime.
本文运用尼采悲剧理论中的两个核心概念即日神精神和酒神精神，同时借鉴朱光潜对日神精神和酒神精神的阐释，探讨《夜色温柔》中男主人公迪克挣扎于日神精神和酒神精神之间的双重人格，并探索其坎坷的悲剧人生历程。
In tragedy, Apollonian image is only the means of expressing the Dionysian impulse.
在悲剧中，日神形象仅是表达酒神冲动的手段；
He says that we have separated two important aspects of ourselves: The " Dionysian " and the " Apollonian ".
他说我们自身被分成两个重要的部分：“酒神的”和“日神的”。
Nietzsche highlights two impulses of art: the Apollonian Art and the Dionysian Art.
同时，尼采强调了艺术的两种动力，即日神艺术与酒神艺术。
Civilization is conquered by barbarism, good is defeated by evil, and Apollonian spirit is suppressed by Dionysian spirit.
文明被野蛮所占领；友善被邪恶所征服；日神精神被酒神精神所压制。
The Apollonian, by contrast, represents the power to deal with the powerful surge of vital energy, to harness destructive powers, and to transmute these into creative act.
相反的，太阳神代表的是一种能够处理高涨活力的力量，利用有破坏性的力量并把它们转换为有创造力的行动。
Nietzsche believes that life is essentially an abyss of terror and misery, so people may resort to the Apollonian spirit and the Dionysus spirit to escape from reality.
尼采认为人生是恐怖与苦难的深渊，为了逃避生活的重负，人们可以到日神的梦幻世界，也可以到酒神当中去寻找力量。
The Apollonian Songs of Order
日神之歌
He says that we have separated two important aspects of ourselves: The " Dionysian " and the " Apollonian ".
他说我们自身被分成两个重要的部分：“酒神的”和“日神的”。
In the research area of complex work, researchers introduced the Apollonian Networks based on the Apollonian packing.
在复杂网络的研究领域中，科学工作者根据阿波罗填充问题，提出了阿波罗网络，并后继。。。
For full understanding, the Apollonian/scientific mode is essential; for direct experience, the Dionysian/ecstatic mode is the only way to go.
为了获得完全的理解，阿波罗式的／科学的模式是至关重要的；对于直接的体验，地奥尼修斯式的／出神的模式是唯一的道路。
Nietzsche s thoughts mainly include:(1) Spirit of art, namely, Apollonian and Dionysian spirit.
这种艺术精神具有酒神，日神两种精神，从而分为梦境和醉境两种境界。