This newspaper, writing a week after his suicide, described the tragedy as one worthy of Aeschylus or Sophocles.
本刊在他自杀后一周后发表文章，称这悲剧等同于艾思奇利斯或者索福克勒斯的悲剧。
The student may read Homer or AEschylus in the Greek without danger of dissipation or luxuriousness, for it implies that he in some measure emulate their heroes, and consecrate morning hours to their pages.
可以读荷马或埃斯库罗斯的希腊文原著的学生，决无放荡不羁或奢侈豪华的危险，因为他读了原著就会在相当程度之内仿效他们的英雄，会将他们的黎明奉献给他们的诗页。
Let me put them into the mouths of the eulogists of injustice: They will tell you that the just man who is thought unjust will be scourged, racked, bound--will have his eyes burnt out; and, at last, after suffering every kind of evil, he will be impaled: Then he will understand that he ought to seem only, and not to be, just; the words of Aeschylus may be more truly spoken of the unjust than of the just.
不妨将它们放入非正义赞颂者的口中：他们会告诉你正义之士认为非正义简直就是鞭打和煎熬、拷问和镣铐、局限和桎梏——将使他的眼睛怒火中烧；而，最终，在万恶遭遍了之后，他还将忍受酷刑：到那时他会明白，他应该看似而不必就是正义的化身；埃斯库罗斯的台词也许更为真实地表达了不仁不义之徒较之于正义之士的情形。
Aeschylus, the earliest of the great Attic tragedians, presented his Oresteia at Athens` City Dionysia festival in 458 BCE.
埃斯库罗斯，伟大的雅典悲剧最早提交雅典市酒神节在公元前458他提亚。
His translations of Euripides` Trojan Women and Aeschylus` Oresteia were performed at Epidaurus, in 1979 and 1980 respectively, by the Theatro Technis under the direction of Karolos Koun.
他翻译的欧里庇得斯的《特洛伊女人》和埃斯库罗斯的《奥瑞斯提亚三部曲》分别于1979年和1980年在埃皮道夫罗斯古剧场上演，由卡罗洛斯·贡执导。
When Aeschylus told the story, he did so with an eye to the ethical issues associated with a blood feud.
当埃斯库罗斯说故事，他这样做的目的却是要的伦理问题与血液争执。
I do not know what the loftiest level of literary achievement is: neither did Aeschylus or Shakespeare; neither does Miss Sayers.
我不知道什么才算是文学造诣的最高水平，埃斯库罗斯和莎士比亚固然也不知道，赛伊尔斯女士恐怕也不知道。
In considering the extraordinary boldness with which Aeschylus places the Olympian world on his scales of justice, we must remember that the profound Greek had an absolutely stable basis of metaphysical thought in his mystery cults and that he was free to discharge all his skeptical velleities on the Olympians.
试想深思的希腊人的秘教有其牢不可破的哲理基础，而且他们的种种怀疑论有时甚或向奥林匹斯神灵突然进攻；那么，埃斯库罗斯这样大胆地把奥林匹斯神界放在他的正义天秤上来衡量，那就不足为奇了。
From such a surplus the Parthenon and the Propylaea were built, the sculptures of Pheidias paid for, and the festivals celebrated, for which AEschylus, Sophocles, Euripides, and Aristophanes composed their dramas.
靠这种剩余财富，建造起了巴台农神殿和希腊雅典卫城的入口，购买了菲迪亚斯的雕刻作品，举办了庆祝盛典，埃斯库罗斯·素福克勒斯、欧里庇得斯和阿里斯托芬的戏剧，就是为这些盛典创作的。
Alexandrine, another writing style, is also derived from Aeschylus'verse.
除此之外，亚历山大体诗也是从埃斯库罗斯的文体中衍生出来的。
First of all, we argue that Aeschylus as the creator of Greek tragedy whose play is an extension and development of archaic Greek lyric.
我们首先认为，埃斯库罗斯作为古希腊悲剧最伟大的创始者，他的作品是对希腊古风时期抒情诗和酒颂神歌的继承与创造。
For example, forty years ago a survey of the early Greek dramatist Aeschylus'plays would have started with The Suppliant Women.
譬如，四十多年之前，一项对早期希腊剧作家埃斯库罗斯诸剧作的调查分析，极有可能以《乞援衰女》为开端。
The fragment announced that Aeschylus won first prize with his Danaid tetralogy, of which The Suppliant Women is the opening play, and defeated Sophocles in the process.
该残片宣布，埃斯库罗斯以他的《达那特四部曲》赢得第一名，而在该四部曲中，《乞援衰女》则是开篇剧，并在此过程中一举击败了索福克勒斯。
The fragment announced that Aeschylus won first prize with his Danaid tetralogy, of which The Suppliant Women is the opening play, defeated Sophocles in the process.
该残片宣布，埃斯库罗斯以他的《达那特四部曲》赢得第一名，而在该四部曲中，《乞援衰女》则是开篇剧，并在此过程中一举击败了索福克勒斯。
He had lost the sense of what the Chorus was in the hands of the great masters, say in the Bacchae or the Eumenides. He mistakes, again, the use of that epiphany of a God which is frequent at the end of the single plays of Euripides, and which seems to have been equally so at the end of the trilogies of Aeschylus. Having lost the living tradition, he sees neither the ritual origin nor the dramatic value of these divine epiphanies. He thinks of the convenient gods and abstractions who sometimes spoke the prologues of the New Comedy, and imagines that the God appears in order to unravel the plot. As a matter of fact, in one play which he often quotes, the _Iphigenia Taurica_, the plot is actually distorted at the very end in order to give an opportunity for the epiphany.
亚里士多德还忘了合唱队是由那掌握命运者来控制，比如酒神的女祭司或者复仇女神欧墨尼得斯；他弄错了神的显现的用处，欧里庇德斯的单幕悲剧结尾处常有神显现，埃斯库罗斯三部曲的结尾好像与此相似，由于失去了活生生的传统，亚里士多德没有意识到神灵显现的仪式渊源和戏剧价值，而把神认为是有时去朗诵新喜剧开场白的这样一种方便和抽象，想象神的出现是为了解开情节的死结，而事实上，在他经常引用的《在奥利斯的伊菲革涅亚》里，情节实际上在结尾处被搅乱，目的是为了给神一个显现的机会。
Of or relating to or in the manner of Aeschylus.
属于或关于埃斯库罗斯的，或以埃斯库罗斯风格的。
In war, truth is the first casualty – Aeschylus
在战争中，第一个倒下的是真理。
A people'; s voice is dangerous when charged with wrath -- Aeschylus
当人们在愤怒的时候发出的声音是危险的。
In war, truth is the first casualty -Aeschylus
战争中，真理是第一个受害者。
The decision was given by a show of hands aeschylus, the suppliants or by acclamation.
决定是用举手埃斯库罗斯的《求援女》或欢呼通过的。